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MAISON
MAISON
The house, its hands, and what we believe a jewel should be.
The house, its hands, and what we believe a jewel should be.
I. Who we are
LAREINE is a high-jewelry house working with natural diamonds and rare colored gemstones. We do not use lab grown stones. We do not produce in volume. Each piece leaves our atelier with a name, a passport, and the fingerprints of the people who shaped it
LAREINE is a high-jewelry house working with natural diamonds and rare colored gemstones. We do not use lab grown stones. We do not produce in volume. Each piece leaves our atelier with a name, a passport, and the fingerprints of the people who shaped it
II. What we make
We work in two registers. The first is the permanent collection, refined over years, built around stones we trust and silhouettes we believe in. The second is bespoke, where a client brings us a stone, an occasion, or an idea, and we build the piece around it.
Our diamonds are sourced through houses we have known for a decade. Our colored stones, emeralds from Zambia, rubies from Mozambique, sapphires from Ceylon and Madagascar, are selected by hand. We see every stone before it enters a setting. If a stone does not deserve the gold it sits in, we do not set it.
We work in two registers. The first is the permanent collection, refined over years, built around stones we trust and silhouettes we believe in. The second is bespoke, where a client brings us a stone, an occasion, or an idea, and we build the piece around it.
Our diamonds are sourced through houses we have known for a decade. Our colored stones, emeralds from Zambia, rubies from Mozambique, sapphires from Ceylon and Madagascar, are selected by hand. We see every stone before it enters a setting. If a stone does not deserve the gold it sits in, we do not set it.
III. How we work
A piece of LAREINE jewelry passes through many hands before it reaches yours. The stonecutter in Jaipur. The casting house in Riyadh. The setter in Moscow who works under a microscope for hours so the prongs sit at the angle the stone asks for. The polisher who finishes the gallery you will never see, because we believe the back of a piece should be as honest as the front.
We do not rush this. A bespoke commission takes between six and fourteen weeks. A complicated halo, longer. We tell our clients the truth about timelines, and we tell them when a stone is wrong for what they want.
Every piece ships with a passport: the carat weight written in full, the cut, the origin where known, the goldsmith's mark, and a QR code that opens its full record. The passport is in Russian, Arabic, French, or English, depending on where the piece is going home to.
A piece of LAREINE jewelry passes through many hands before it reaches yours. The stonecutter in Jaipur. The casting house in Riyadh. The setter in Moscow who works under a microscope for hours so the prongs sit at the angle the stone asks for. The polisher who finishes the gallery you will never see, because we believe the back of a piece should be as honest as the front.
We do not rush this. A bespoke commission takes between six and fourteen weeks. A complicated halo, longer. We tell our clients the truth about timelines, and we tell them when a stone is wrong for what they want.
Every piece ships with a passport: the carat weight written in full, the cut, the origin where known, the goldsmith's mark, and a QR code that opens its full record. The passport is in Russian, Arabic, French, or English, depending on where the piece is going home to.
IV. What we believe
A jewel should outlive the moment it was bought for.
It should be quiet enough to wear on a Tuesday and serious enough for the day your daughter takes it from a velvet box twenty years from now. It should not announce itself. It should be recognized by the people who know what they are looking at.
We do not chase trends. We do not discount. We do not market what we cannot deliver. We make a small number of pieces each year, for a small number of people, and we are content with that.
This is the house. You are welcome inside.
A jewel should outlive the moment it was bought for.
It should be quiet enough to wear on a Tuesday and serious enough for the day your daughter takes it from a velvet box twenty years from now. It should not announce itself. It should be recognized by the people who know what they are looking at.
We do not chase trends. We do not discount. We do not market what we cannot deliver. We make a small number of pieces each year, for a small number of people, and we are content with that.
This is the house. You are welcome inside.